“I had these questions for Burlee because the prose of his that I read during our workshop gave me the feeling that we had the same blues — diaspora blues. Mine, the Mexican-American blues. His, the Hmong-American blues.”-Miguel Jimenez, on Burlee Vang’s THE DEAD I KNOW (Swan Scythe)Read the rest of Miguel’s recommendation at The Lit Pub: http://bit.ly/JvKhix

“I had these questions for Burlee because the prose of his that I read during our workshop gave me the feeling that we had the same blues — diaspora blues. Mine, the Mexican-American blues. His, the Hmong-American blues.”

-Miguel Jimenez, on Burlee Vang’s THE DEAD I KNOW (Swan Scythe)

Read the rest of Miguel’s recommendation at The Lit Pub: http://bit.ly/JvKhix

“I had these questions for Burlee because the prose of his that I read during our workshop gave me the feeling that we had the same blues — diaspora blues. Mine, the Mexican-American blues. His, the Hmong-American blues.”-Miguel Jimenez, on Burlee Vang’s THE DEAD I KNOW (Swan Scythe)Read the rest of Miguel’s recommendation at The Lit Pub: http://bit.ly/JvKhix

“I had these questions for Burlee because the prose of his that I read during our workshop gave me the feeling that we had the same blues — diaspora blues. Mine, the Mexican-American blues. His, the Hmong-American blues.”

-Miguel Jimenez, on Burlee Vang’s THE DEAD I KNOW (Swan Scythe)

Read the rest of Miguel’s recommendation at The Lit Pub: http://bit.ly/JvKhix

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