<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>We recommend! We publish! We promote!</description><title>LIT PUB RECOMMENDS!</title><generator>Tumblr (3.0; @thelitpub)</generator><link>http://thelitpub.tumblr.com/</link><item><title>“This Jealous Earth is the first publication of Midwestern...</title><description>&lt;img src="http://25.media.tumblr.com/99e129805b08d0c2bb8f51fe350b323c/tumblr_mhjs2eveiB1rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“This Jealous Earth is the first publication of Midwestern Gothic’s newest endeavor, the micro-press MG Press. Our goal runs parallel to that of the journal — highlight Midwestern authors — but differs only in the focus: in this case, book-length fiction with a singular point of view that really worms and worries around the foundation of all things Midwestern.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-Robert James Russell on Scott Dominic Carpenter’s THIS JEALOUS EARTH (MG Press)&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;Read more at The Lit Pub: &lt;/span&gt;&lt;a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fbit.ly%2F11asMBe&amp;h=uAQGVuJvU&amp;s=1" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/11asMBe" target="_blank"&gt;http://bit.ly/11asMBe&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42024387121</link><guid>http://thelitpub.tumblr.com/post/42024387121</guid><pubDate>Thu, 31 Jan 2013 00:00:00 -0500</pubDate><category>robert james russell</category><category>Scott Dominic Carpenter</category><category>This Jealous Earth</category><category>MG Press</category><category>Midwestern Gothic</category><category>The Lit Pub</category><category>Lit Pub</category></item><item><title>“Richard Calder creates a cataclysmic future where the...</title><description>&lt;img src="http://25.media.tumblr.com/b1ca875754543ae7aa02bf68b7975ff8/tumblr_mhjs01AxMo1rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“Richard Calder creates a cataclysmic future where the difference between nature, technology, reality, time, life, death, and imagination all swirl and blend together, becoming more and more indistinct as the narrative unravels at a dizzying pace only to somehow come back together as something both magnificent and visceral.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-Eddy Rathke on Richard Calder’s DEAD TRILOGY (St. Martin’s Griffin)&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;Read more of Eddy’s recommendation at The Lit Pub: &lt;/span&gt;&lt;a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fbit.ly%2F14D5hjs&amp;h=fAQHx-wgn&amp;s=1" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/14D5hjs" target="_blank"&gt;http://bit.ly/14D5hjs&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42024321751</link><guid>http://thelitpub.tumblr.com/post/42024321751</guid><pubDate>Wed, 30 Jan 2013 00:00:00 -0500</pubDate><category>Eddy Rathke</category><category>Richard Calder</category><category>Dead Trilogy</category><category>Dead Girls</category><category>Dead Boys</category><category>Dead Things</category><category>St. Martin's Griffin</category><category>The Lit Pub</category><category>Lit Pub</category></item><item><title>“When I got Vampire Conditions in the mail last week, I...</title><description>&lt;img src="http://25.media.tumblr.com/191bcb75870d8e531a08540aff466e24/tumblr_mhjry01XCa1rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“When I got Vampire Conditions in the mail last week, I sat down just to take a quick look and ended up reading the whole damn thing straight though to the end.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-Matthew Savoca on Brian Allen Carr’s VAMPIRE CONDITIONS (Holler Presents)&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;Read more at The Lit Pub: &lt;/span&gt;&lt;a href="http://bit.ly/TleIAn" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/TleIAn" target="_blank"&gt;http://bit.ly/TleIAn&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42024267366</link><guid>http://thelitpub.tumblr.com/post/42024267366</guid><pubDate>Tue, 29 Jan 2013 00:00:00 -0500</pubDate><category>Brian Allen Carr</category><category>Vampire Conditions</category><category>Holler Presents</category><category>Matthew Savoca</category><category>The Lit Pub</category><category>Lit Pub</category></item><item><title>“The idea of autobiography, as I understand it, is that...</title><description>&lt;img src="http://25.media.tumblr.com/7ed634ba054d01cf0a706637f42caa6f/tumblr_mhjrszQjRk1rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“The idea of autobiography, as I understand it, is that something happens in a person’s life and then it happens again in a book. For me, the creation of a book can never be the representation of something that has already happened. The creation of the book is itself the thing that is happening. I make my life happen when I write, in the same way I make my life happen when I read a book, or walk t&lt;/span&gt;&lt;span class="text_exposed_show"&gt;o the corner, or have a conversation with my wife or kids, or eat a taco. I understand the notion that a page of words can somehow represent past events, but I don’t think I want to participate in that notion.”&lt;br/&gt;&lt;br/&gt;-Ken Sparling in an interview about HUSH UP AND LISTEN STINKY POO BUTT (Artistically Declined Press)&lt;br/&gt;&lt;br/&gt;Read the rest of the interview at The Lit Pub: &lt;a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fbit.ly%2FXcnMnw&amp;h=GAQH0_x_d&amp;s=1" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/XcnMnw" target="_blank"&gt;http://bit.ly/XcnMnw&lt;/a&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42024128079</link><guid>http://thelitpub.tumblr.com/post/42024128079</guid><pubDate>Sat, 26 Jan 2013 00:00:00 -0500</pubDate><category>Ken Sparling</category><category>The Lit Pub</category><category>Lit Pub</category><category>Hush Up And Listen Stinky Poo Butt</category><category>artistically declined press</category></item><item><title>“Ultimately, it’s Geddes’s empathy and clear-eyed, comedic...</title><description>&lt;img src="http://25.media.tumblr.com/2aee3ef5209e8e96f188344255af49da/tumblr_mhjrwfC9Sb1rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“Ultimately, it’s Geddes’s empathy and clear-eyed, comedic vision that makes Magical Teenage Princess stand apart. Like us, his characters are magical and flawed, strange constructs of ghost eras and selves.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-TJ Sandel on Luke Geddes’s I AM A MAGICAL TEENAGE PRINCESS (Chomu Press)&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;Read more at The Lit Pub: &lt;/span&gt;&lt;a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fbit.ly%2FWHbmHI&amp;h=JAQEzhq1X&amp;s=1" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/WHbmHI" target="_blank"&gt;http://bit.ly/WHbmHI&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42024223791</link><guid>http://thelitpub.tumblr.com/post/42024223791</guid><pubDate>Sat, 26 Jan 2013 00:00:00 -0500</pubDate><category>Luke Geddes</category><category>TJ Sandel</category><category>I am a magical teenage princess</category><category>Chomu Press</category><category>The Lit Pub</category><category>Lit Pub</category></item><item><title>“As we collect the remnants of family and fate,...</title><description>&lt;img src="http://25.media.tumblr.com/5b4c245b7484f40ddc927c487e54a73f/tumblr_mhjrq8fDyn1rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span class="fbPhotosPhotoCaption" id="fbPhotoSnowliftCaption"&gt;&lt;span class="hasCaption"&gt;“As we collect the remnants of family and fate, ‘bees and rag-winged dragonflies,’ the splinters of the woods, Arlene Kim hands us a blade. To cut ourselves ‘out from the belly of home.’”&lt;br/&gt;&lt;br/&gt;-&lt;a href="https://www.facebook.com/rachellecruz?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=28600075&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Rachelle Cruz&lt;/a&gt; on Arlene Kim’s WHAT HAVE YOU DONE TO OUR EARS TO MAKE US HEAR ECHOES? (Milkweed Editions)&lt;br/&gt;&lt;br/&gt;Read more at The Lit Pub: &lt;a href="http://bit.ly/Vw5tvX" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/Vw5tvX" target="_blank"&gt;http://bit.ly/Vw5tvX&lt;/a&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div class="pts fbPhotoLegacyTagList" id="fbPhotoSnowliftLegacyTagList"&gt;&lt;br/&gt;&lt;div&gt;&lt;/div&gt;
&lt;/div&gt;</description><link>http://thelitpub.tumblr.com/post/42024055595</link><guid>http://thelitpub.tumblr.com/post/42024055595</guid><pubDate>Mon, 21 Jan 2013 00:00:00 -0500</pubDate><category>The Lit Pub</category><category>Lit Pub</category><category>Rachelle Cruz</category><category>Arlene Kim</category><category>What Have You Done To Our Ears To Make Us Hear Echoes</category><category>milkweed editions</category></item><item><title>“That’s the fun part about experimental literature (which...</title><description>&lt;img src="http://25.media.tumblr.com/fdf9e725638d8089fedcab4935b7cde5/tumblr_mhjrntKBl51rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“That’s the fun part about experimental literature (which is really just plain old literature), though: there are few things more exhilarating than watching someone break rules and not only get away with it, but pull it off. &lt;/span&gt;&lt;a href="https://www.facebook.com/ken.sparling?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=501244178&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Ken Sparling&lt;/a&gt;&lt;span&gt; does that in spades.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-&lt;/span&gt;&lt;a href="https://www.facebook.com/profile.php?id=19301327&amp;group_id=0" data-hovercard="/ajax/hovercard/user.php?id=19301327&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Dave K.&lt;/a&gt;&lt;span&gt; on Ken Sparling’s DAD SAYS HE SAW YOU AT THE MALL (&lt;/span&gt;&lt;a href="https://www.facebook.com/mudluscious.press?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=100001324252057&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;MudLuscious Press&lt;/a&gt;&lt;span&gt;)&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;Read more at The Lit Pub: &lt;/span&gt;&lt;a href="http://bit.ly/U2DiHZ" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/U2DiHZ" target="_blank"&gt;http://bit.ly/U2DiHZ&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42023991086</link><guid>http://thelitpub.tumblr.com/post/42023991086</guid><pubDate>Sat, 19 Jan 2013 00:00:00 -0500</pubDate><category>The Lit Pub</category><category>Lit Pub</category><category>dAVE K</category><category>Ken Sparling</category><category>Dad Says He Saw You At the Mall</category><category>Mud Luscious Press</category></item><item><title>“I do draw on my life experiences in my work. Not as much...</title><description>&lt;img src="http://25.media.tumblr.com/bc6249129e1788cd61a56fb036d5014d/tumblr_mhjrm5Utet1rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“I do draw on my life experiences in my work. Not as much as some might think, but a fair amount. I’m sure we all must to an extent… . I’m fascinated by that fact, and even more fascinated and eager to discover what my experiences look, feel, taste, sound like in only the way I can experience them. In order to truly do this, you have to share it with others in whatever you can.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-&lt;/span&gt;&lt;a href="https://www.facebook.com/sheldon.compton?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=1410324039&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Sheldon Lee Compton&lt;/a&gt;&lt;span&gt; in an interview with &lt;/span&gt;&lt;a href="https://www.facebook.com/rgv7735?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=1188721262&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Robert Vaughan&lt;/a&gt;&lt;span&gt;, on THE SAME TERRIBLE STORM (Foxhead Books)&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;Read more at The Lit Pub: &lt;/span&gt;&lt;a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fbit.ly%2FUaxv0G&amp;h=YAQGgZUFj&amp;s=1" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/Uaxv0G" target="_blank"&gt;http://bit.ly/Uaxv0G&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42023947235</link><guid>http://thelitpub.tumblr.com/post/42023947235</guid><pubDate>Wed, 16 Jan 2013 00:00:00 -0500</pubDate><category>Sheldon Lee Compton</category><category>Robert Vaughan</category><category>The Same Terrible Storm</category><category>Foxhead Books</category><category>The Lit Pub</category><category>Lit Pub</category></item><item><title>“Every time I write, I’m trying to run away from the...</title><description>&lt;img src="http://25.media.tumblr.com/dd309bcfe42f7b5abff4348d1181ad94/tumblr_mhjrk5hGaE1rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“Every time I write, I’m trying to run away from the careful plot, but the plot drags me back in. It’s like one of those bungee runs or the third Godfather.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-&lt;/span&gt;&lt;a href="https://www.facebook.com/amelia.gray?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=29600010&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Amelia Gray&lt;/a&gt;&lt;span&gt; in an interview with &lt;/span&gt;&lt;a href="https://www.facebook.com/colin.winnette?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=28600675&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Colin Winnette&lt;/a&gt;&lt;span&gt;. Read more at The Lit Pub: &lt;/span&gt;&lt;a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fbit.ly%2FTg1AMW&amp;h=ZAQF5VAqM&amp;s=1" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/Tg1AMW" target="_blank"&gt;http://bit.ly/Tg1AMW&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42023895240</link><guid>http://thelitpub.tumblr.com/post/42023895240</guid><pubDate>Tue, 15 Jan 2013 00:00:00 -0500</pubDate><category>Amelia Gray</category><category>Colin Winnette</category><category>Lit Pub</category><category>The Lit Pub</category><category>Threats</category><category>FSG</category></item><item><title>“And as I sat there reading, my car forgotten, the people...</title><description>&lt;img src="http://25.media.tumblr.com/40338ebb5dfde1dd7f4d9b1e24be21ac/tumblr_mhjriex4cT1rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“And as I sat there reading, my car forgotten, the people around me just noise, the world Stern created began to collapse and my heart collapsed with it. All that reality she wove so tightly together, making a world like one I would dream of if I only knew to dream that way, began to unravel and it hurt. It hit me hard, harder than I expected.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-&lt;/span&gt;&lt;a href="https://www.facebook.com/ekhtar?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=40107563&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Eddy Rathke&lt;/a&gt;&lt;span&gt; on Lindsay Stern’s TOWN OF SHADOWS (Scrambler Books)&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;Read more at The Lit Pub: &lt;/span&gt;&lt;a href="http://bit.ly/WCqKoR" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/WCqKoR" target="_blank"&gt;http://bit.ly/WCqKoR&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42023848433</link><guid>http://thelitpub.tumblr.com/post/42023848433</guid><pubDate>Mon, 14 Jan 2013 00:00:00 -0500</pubDate><category>Eddy Rathke</category><category>Lindsay Stern</category><category>Town of Shadows</category><category>Scrambler Books</category><category>The Lit Pub</category><category>Lit Pub</category></item><item><title>“The Hiram Poetry Review has sharpened my senses with...</title><description>&lt;img src="http://25.media.tumblr.com/fc3745cba7ebf6828d2790dea4fcf418/tumblr_mhjrghhDSe1rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“The Hiram Poetry Review has sharpened my senses with regard to poetry in the present day — its appearance in times contemporary. Once a year, it is a chance to observe the fashion and manners of today’s emerging writers. Without reservation, I suggest contacting Dr. Greenwood to purchase the most recent HPR, Issue Seventy-Three. You’ll also be happy to find that nearly all past issues are archived at HPR’s website.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-Charles Parsons on HIRAM POETRY REVIEW&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;Read more at The Lit Pub: &lt;/span&gt;&lt;a href="http://bit.ly/U2rQfo" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/U2rQfo" target="_blank"&gt;http://bit.ly/U2rQfo&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42023799771</link><guid>http://thelitpub.tumblr.com/post/42023799771</guid><pubDate>Wed, 09 Jan 2013 00:00:00 -0500</pubDate><category>The Lit Pub</category><category>Lit Pub</category><category>Charles Parsons</category><category>Hiram Poetry Review</category></item><item><title>“For me, this is the real magic of Kundera’s writing....</title><description>&lt;img src="http://25.media.tumblr.com/852318c916fc3d4c9329f8d40af75a02/tumblr_mhjqzx1iQY1rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“For me, this is the real magic of Kundera’s writing. Kundera writes a number of intricate characters that are all extremely interconnected in a very short space. But, that alone would not be as impressive if it was not for how these intricacies and interactions come off. Really, everyone ends up looking pretty idiotic. After all, all human beings are inherently ridiculous. It is only when we are full of our own self-importance that we don’t see that.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-&lt;/span&gt;&lt;a href="https://www.facebook.com/wightknyte?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=1296645446&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;David S. Atkinson&lt;/a&gt;&lt;span&gt; on Milan Kundera’s THE FAREWELL WALTZ (Harper Perennial)&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;Read more of David’s recommendation at The Lit Pub: &lt;/span&gt;&lt;a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fbit.ly%2F13buYGX&amp;h=tAQHZUCFy&amp;s=1" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/13buYGX" target="_blank"&gt;http://bit.ly/13buYGX&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42023361442</link><guid>http://thelitpub.tumblr.com/post/42023361442</guid><pubDate>Mon, 07 Jan 2013 00:00:00 -0500</pubDate><category>David S. Atkinson</category><category>harper perennial</category><category>The Lit Pub</category><category>Lit Pub</category><category>Milan Kundera</category></item><item><title>“My workshop mates tossed out the expected names like...</title><description>&lt;img src="http://25.media.tumblr.com/14d8b3d31f5e4bcbf1e80958926a0706/tumblr_mhjqwug2Y41rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“My workshop mates tossed out the expected names like Garcia Marquez, Borges, Saunders, Bender, Barthelme and Bukowski and Carver, Hemingway and Nabokov and Kafka. My underarms ran with sweat. When my turn came, I wanted to express my individuality, and maybe my mental stamina too, so I said that I liked Ayn Rand’s Atlas Shrugged. Cue the crickets and the blank stares.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-&lt;/span&gt;&lt;a href="https://www.facebook.com/joe.kapitan?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=1340052585&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Joe Kapitan&lt;/a&gt;&lt;span&gt; on Ayn Rand’s ATLAS SHRUGGED (Signet Classics)&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;Read more at The Lit Pub: &lt;/span&gt;&lt;a href="http://bit.ly/Xaemcj" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/Xaemcj" target="_blank"&gt;http://bit.ly/Xaemcj&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42023284318</link><guid>http://thelitpub.tumblr.com/post/42023284318</guid><pubDate>Wed, 02 Jan 2013 00:00:00 -0500</pubDate><category>Joe Kapitan</category><category>Ayn Rand</category><category>Atlas Shrugged</category><category>Signet Classics</category><category>The Lit Pub</category><category>Lit Pub</category></item><item><title>“I have had a very tumultuous relationship with sleep and...</title><description>&lt;img src="http://25.media.tumblr.com/d2ee3d974f8c1544176f061ddfef8e19/tumblr_mhjqs0aiyA1rpjprdo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“I have had a very tumultuous relationship with sleep and my bed. Dreams, though, we’ve always been on the same team. But the bed, it can be a lonely place, often a haunted place, a crippling and emotional place. Now, if I were to try to explain what my bed means to me, I’d probably just hand someone The Way We Sleep. It really covers everything, even the things that haven’t happened to me. It’s beautiful and grotesque and touching and tragic and funny and playful and philosophical and magical.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-&lt;/span&gt;&lt;a href="https://www.facebook.com/ekhtar?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=40107563&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Eddy Rathke&lt;/a&gt;&lt;span&gt; on C. James Bye’s and Jessa Bye’s THE WAY WE SLEEP (Curbside Splendor)&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;Read more at The Lit Pub: &lt;/span&gt;&lt;a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fbit.ly%2FWUe0bp&amp;h=9AQF87QuW&amp;s=1" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/WUe0bp" target="_blank"&gt;http://bit.ly/WUe0bp&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42023160720</link><guid>http://thelitpub.tumblr.com/post/42023160720</guid><pubDate>Mon, 10 Dec 2012 00:00:00 -0500</pubDate><category>Eddy Rathke</category><category>The Lit Pub</category><category>Lit Pub</category><category>The Way We Sleep</category><category>C James Bye</category><category>Jessa Bye</category><category>Curbside Splendor</category></item><item><title>“Something that I work on with my writing is the idea of...</title><description>&lt;img src="http://25.media.tumblr.com/c2ff00bd286595d92878b2e41e56ecee/tumblr_mhjqp0yzSf1rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“Something that I work on with my writing is the idea of an all-powerful being—God or whatever, just the notion of that sort of existence and what it means to my existence. The Curtain is the thing that is obscuring what’s really there, but it also is what’s really there. So it’s both things. It’s the boundary, but it’s also the thing beyond the boundary.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-&lt;/span&gt;&lt;a href="https://www.facebook.com/kim.parko.5?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=100000617515067&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Kim Parko&lt;/a&gt;&lt;span&gt;, in an interview with Megan Apert, on CURE ALL (&lt;/span&gt;&lt;a href="https://www.facebook.com/caketrain?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=631627894&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Caketrain&lt;/a&gt;&lt;span&gt;)&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;Read more at The Lit Pub: &lt;/span&gt;&lt;a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fbit.ly%2FWLXqt9&amp;h=bAQH_8j1B&amp;s=1" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/WLXqt9" target="_blank"&gt;http://bit.ly/WLXqt9&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42023084209</link><guid>http://thelitpub.tumblr.com/post/42023084209</guid><pubDate>Wed, 05 Dec 2012 00:00:00 -0500</pubDate><category>Caketrain</category><category>The Lit Pub</category><category>Lit Pub</category><category>Kim Parko</category><category>Megan Apert</category></item><item><title>“The most surprising element is the warmth of the book....</title><description>&lt;img src="http://25.media.tumblr.com/dc1f3130ae22116a50d2d5401b0685ac/tumblr_mhjqn28MO61rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“The most surprising element is the warmth of the book. There is a real affection, a gentle touch. Gone was the aloof wise-cracker who wrote The Broom of the System. This was a mature, caring creator of real people, even if they still found themselves in ludicrous situations and possessed unworldly abilities.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-&lt;/span&gt;&lt;a href="https://www.facebook.com/joshdenslow?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=100001012341481&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Josh Denslow&lt;/a&gt;&lt;span&gt; on David Foster Wallace’s THE PALE KING (Bay Back Books) &lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;Read more at The Lit Pub: &lt;/span&gt;&lt;a href="http://bit.ly/11jHcy5" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/11jHcy5" target="_blank"&gt;http://bit.ly/11jHcy5&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42023032942</link><guid>http://thelitpub.tumblr.com/post/42023032942</guid><pubDate>Tue, 27 Nov 2012 00:00:00 -0500</pubDate></item><item><title>“A Public Space met me at the very moment I was quite...</title><description>&lt;img src="http://25.media.tumblr.com/ab598719c99b3b3e1b4617e55418cbbd/tumblr_mhjqldpFpw1rpjprdo1_250.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“A Public Space met me at the very moment I was quite literally trying to escape the chaos of the street: the bustle, the jostling, the crosswalks, the horns, the sirens, the subway grates, the warm trash, the incessant onslaught of objects and images. And yet by engaging with the work A Public Space had chosen to put into the world, I found myself making more room for the possibilities of the eve&lt;/span&gt;&lt;span class="text_exposed_show"&gt;ryday. What might happen, I began wondering, if I paid more attention? If I eavesdropped more closely? If I peered into shop windows I had always bustled by? If I allowed those extra five minutes en route from A to B to chat with a street vendor, a bodega cashier, a transit worker, a fellow walker?”&lt;br/&gt;&lt;br/&gt;-Melanie Jane Parker on A PUBLIC SPACE&lt;br/&gt;&lt;br/&gt;Read more at The Lit Pub: &lt;a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fbit.ly%2FVxyoTE&amp;h=fAQHx-wgn&amp;s=1" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/VxyoTE" target="_blank"&gt;http://bit.ly/VxyoTE&lt;/a&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42022989627</link><guid>http://thelitpub.tumblr.com/post/42022989627</guid><pubDate>Mon, 19 Nov 2012 00:00:00 -0500</pubDate><category>The Lit Pub</category><category>Lit Pub</category><category>A Public Space</category><category>Melanie Jane Parker</category></item><item><title>“I like the idea of using poetry as a form of expression...</title><description>&lt;img src="http://24.media.tumblr.com/83210d01c9de2f8887beb83f135b2e07/tumblr_mhjqilK55n1rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span class="fbPhotosPhotoCaption" id="fbPhotoSnowliftCaption"&gt;&lt;span class="hasCaption"&gt;“I like the idea of using poetry as a form of expression to relieve feelings of alienation, to try to relate what is inside your head to the heads of other people.”&lt;br/&gt;&lt;br/&gt;-&lt;a href="https://www.facebook.com/gabbygabbypoetry?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=100003488141643&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Gabby G’abby&lt;/a&gt; on &lt;a href="https://www.facebook.com/jrsteinberg?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=708233131&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Jacob Steinberg&lt;/a&gt;’s CITYSCAPES&lt;br/&gt;&lt;br/&gt;Read more at The Lit Pub: &lt;a href="http://bit.ly/U2kMj3" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/U2kMj3" target="_blank"&gt;http://bit.ly/U2kMj3&lt;/a&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div class="pts fbPhotoLegacyTagList" id="fbPhotoSnowliftLegacyTagList"&gt;
&lt;div&gt;&lt;/div&gt;
&lt;/div&gt;</description><link>http://thelitpub.tumblr.com/post/42022920562</link><guid>http://thelitpub.tumblr.com/post/42022920562</guid><pubDate>Mon, 12 Nov 2012 00:00:00 -0500</pubDate><category>Lit Pub</category><category>The Lit Pub</category><category>Jacob Steinberg</category><category>gabby gabby</category><category>Cityscapes</category></item><item><title>“In his wonderful second story collection, Spooky Action...</title><description>&lt;img src="http://25.media.tumblr.com/b492854641e1c7ae80aa4f97384f66cb/tumblr_mhjqa7QGp01rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“In his wonderful second story collection, Spooky Action at a Distance, Tom Noyes continues to explore the mysteries that surround us that we so often take for granted: faith, grace, and the irresistible urge to do things we know are not good for us.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-&lt;/span&gt;&lt;a href="https://www.facebook.com/eugene.cross?group_id=0" data-hovercard="/ajax/hovercard/user.php?id=1031213206&amp;extragetparams=%7B%22group_id%22%3A0%7D" target="_blank"&gt;Eugene Cross&lt;/a&gt;&lt;span&gt; on Tom Noyes’s SPOOKY ACTION AT A DISTANCE (Dufour Editions)&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;Read more at The Lit Pub: &lt;/span&gt;&lt;a href="http://bit.ly/TfKsXL" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/TfKsXL" target="_blank"&gt;http://bit.ly/TfKsXL&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/42022713890</link><guid>http://thelitpub.tumblr.com/post/42022713890</guid><pubDate>Wed, 31 Oct 2012 00:00:00 -0400</pubDate><category>The Lit Pub</category><category>lit pub</category><category>Eugene Cross</category><category>Tom Noyes</category><category>Spooky Action at a Distance</category><category>Dufour Editions</category></item><item><title>“A lot of times post-apocalyptic shit can be bleak as...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_mcltsfX7O91rpjprdo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“A lot of times post-apocalyptic shit can be bleak as fuck, but Seidlinger balances both humor and humanity.”&lt;/span&gt;&lt;br/&gt;&lt;br/&gt;&lt;span&gt;-Andrew Worthington on Michael J. Seidlinger’s THE SKY CONDUCTING (Civil Coping Mechanisms): &lt;/span&gt;&lt;a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fbit.ly%2FRnm1p9&amp;h=2AQGj-1m_&amp;s=1" rel="nofollow nofollow" target="_blank"&gt;&lt;a href="http://bit.ly/Rnm1p9" target="_blank"&gt;http://bit.ly/Rnm1p9&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://thelitpub.tumblr.com/post/34482431589</link><guid>http://thelitpub.tumblr.com/post/34482431589</guid><pubDate>Sun, 28 Oct 2012 09:07:27 -0400</pubDate><category>Andrew Worthington</category><category>Michael J. Seidlinger</category><category>The Sky Conducting</category><category>civil coping mechanisms</category><category>Lit Pub</category></item></channel></rss>
